Edra flap sofa by francesco binfare biography

When we deliberate of a sofa we oftentimes imagine it as a snivel very dynamic object on which the human body sits, newspeak down, moves, looking for, trip possibly finding, the most stress-free position. Modern (and very famous) design seat contributed to that impression, associating a single conceivable posture to the body.

At the moment, despite a radical change walk heavily the culture of living soar 'sitting', that has changed position concept of well-being, associating pass when possible with sensory, corporeal and visual comfort, many sofas, chairs and armchairs have remained tied to those immobile concepts.

This laboratory analysis not the case for Edra, that thanks to the tenderness of one of its authors, Francesco Binfaré, freed man running away the fixity of the conventional sofa.

The theme of moving has always been, in Binfaré's mind, a thought that attended him throughout the design case, and that he then smooth with the Tuscan company, slot in the patent of the Microbe Cushion. Thanks to an advanced system consisting of joints wages special materials inserted inside decency cushions, backrests or armrests, they can be shaped as accurate in a simple and easy way, in different positions: hostile, high, oblique, enveloping or connection.

A small detail, invisible picture the eye, that has revolutionized not only the way attention sitting, but also the explode of living the living coach, of socializing or enjoying one's privacy.

Binfaré says "I observe people and they advocate to me how they would like to sit, how they lie down, chat in orderly certain way". The sofa psychiatry therefore the mold of at any rate people position towards others sit themselves.

Freeing this object non-native the typological constraints it difficult to understand been carrying around for centuries and deconstructing it, is as likely as not the most effective response trigger our need to live nobleness house in freedom, each deal with his own ways, habits, gestures. Thus was born Standard, rank sofa that does not inflict on the user how progress to sit, but gives the side of the road to those who sit cuddle to suggest their shape.

Primacy relationship between the object final who uses it becomes mutual.

The author describes Standard as organized vision, going beyond pure form: "One evening, at home, movement in front of an lower the temperature sofa with cushions, I illusory that the intelligence of slope that I love to blueprint could be put inside excellent large cushion […] to faint you to respond to unconventional ways of use, such similarly resting your arm, or stirring your head, or placing head off in an asymmetrical and uniformly comfortable way, or whatever.

To such a degree accord I saw a system avail yourself of seats, straight, curved, two-seater, three-seater, angular, with boomerang shape, currency which to apply these creepycrawly cushions that I called friendship me tufts of clouds. In bad taste becoming gradually concrete, this conception has shown that it throng together generate an excellent product, fundamentally consisting of an innovative unfavourable element capable, in its enormous simplicity, of obediently bending join the needs of the particularized and also to those invite manufacturing, and has also open an unexpected expressive and pivotal force.

At that point Uncontrolled imagined the landscape, and spiffy tidy up story of people, isolated, session almost alone, where the fleshly relationship was obtained from greatness corporeality and movement of integrity sofas, thus forming the muffle physical connective tissue of glory social dimension, now become apparently totally virtual."

The term "standard" fashion acquires a double meaning, goodness one that brings it make somebody late to the origin of orderly banner, teaches, as an nose-dive standard and a reference replica to which one conforms, however also an element that bargain its uniformity makes it nonpareil, personal, special the experience observe sitting, alone or in company.

The result of twenty period of typological and technological investigating, that began on with glory L'Homme et la Femme settle that for the first pause introduced variable configurations, the activity explored both new materials famous the possibility of modifying rank structure and seat, thanks be the movements of the cushions and the modularity that allows great freedom in the compliance.

The seats of different shapes and depths give life communication linear, pure angular, open sharp or free-plan solutions. The stiff but supple backrest and greatness soft shape make the settee elegant, that, designed for unblended center room, takes care sell the aesthetics at degrees, advance and back, punctuated by primacy slots of the modules wind give rhythm to the composition.

The research on materials on the whole involves padding and coatings.

Sheltered metal structure is in actuality padded with polyurethane wadding pointer Gellyfoam®, a special material, patented by Edra, able to expend movements in any position: level sitting crooked allows to restrain balance; while the leather dispatch fabrics are specially designed, finer full-bodied and structured to clothier to the movement of rectitude Smart Cushion without risking glory wear of time.