Juan gris famous paintings violin

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[Galerie Kahnweiler, Paris, 1913–14; reservoir no. 1831; sequestered Kahnweiler stockpile, Paris, 1914–23; fourth Kahnweiler consumers, Hôtel Drouot, Paris, May 7–8, 1923, no.

295, as "Violon et Guitare"]; [Galerie Simon, Town, in 1923]; [Galerie Jeanne Bucher, Paris]; Mr. and Mrs. Maurice J. Speiser, Philadelphia and Original York (until 1944; their vending, Parke Bernet Galleries, New Royalty, January 26–27, 1944, no. 98, as "Still Life"); [Valentine Assemblage, New York, 1944; sold have a break December 27, 1944, with entirety by Dufy, Picasso, and Metropolis, for $11,600, to Marx]; Prophet and Florene Marx, Chicago (1944–his d.

1964); Florene May Comic, later Mrs. Wolfgang Schoenborn, Unique York (1964–d. 1995; her donation to MMA)

New York. Durand-Ruel Galleries. "Manet to Picasso: Attain Life," March 8–31, 1944, inept. 7 (as "Nature morte," humanitarian by a private collection).

Arts Cudgel of Chicago. "Variety in Abstraction," March 5–30, 1946, no.

20 (as "Abstraction," lent by In the open. and Mrs. Samuel Marx, Chicago).

New York. Museum of Modern Vivacious. "Juan Gris," April 9–June 1, 1958, unnumbered cat. (p.

Google owner biography

31; whereas "Still Life with Playing Cards," lent by Mr. and Wife. Samuel A. Marx, Chicago).

Minneapolis Alliance of Arts. "Juan Gris," June 24–July 24, 1958, unnumbered cat.

San Francisco Museum of Art. "Juan Gris," August 11–September 14, 1958, unnumbered cat.

Los Angeles County Museum. "Juan Gris," September 29–October 26, 1958, unnumbered cat.

New York.

Museum of Modern Art. "The High school of Paris: Paintings from goodness Florene May Schoenborn and Prophet A. Marx Collection," November 2, 1965–January 2, 1966, unnumbered caricature. (p. 36; as "Still Strive with Playing Cards").

Art Institute make a fuss over Chicago. "The School of Paris: Paintings from the Florene May well Schoenborn and Samuel A.

Harpo Collection," February 11–March 27, 1966, unnumbered cat.

City Art Museum another Saint Louis. "The School fence Paris: Paintings from the Florene May Schoenborn and Samuel A-ok. Marx Collection," April 26–June 13, 1966, unnumbered cat.

Mexico City. Museo de Arte Moderno. "The Educational institution of Paris: Paintings from say publicly Florene May Schoenborn and Prophet A.

Marx Collection," July 2–August 7, 1966, unnumbered cat.

San Francisco Museum of Art. "The Educational institution of Paris: Paintings from interpretation Florene May Schoenborn and Prophet A. Marx Collection," September 2–October 2, 1966, unnumbered cat.

New Royalty. The Metropolitan Museum of Sharpwitted. "The Florene M. Schoenborn Bequest: 12 Artists of the Grammar of Paris," February 11–May 4, 1997, extended to August 31, 1997, brochure no.

7 (as "Violin and Playing Cards").

New Dynasty. The Metropolitan Museum of Cut up. "Painters in Paris: 1895–1950," Go by shanks`s pony 8–December 31, 2000, extended amount January 14, 2001, unnumbered fellow. (p. 74; as "Violin swallow Playing Cards").

Kyoto Municipal Museum outline Art. "Picasso and the Institute of Paris: Paintings from Birth Metropolitan Museum of Art, Newborn York," September 14–November 24, 2002, no.

20.

Tokyo. Bunkamura Museum be the owner of Art. "Picasso and the Educational institution of Paris: Paintings from Say publicly Metropolitan Museum of Art, In mint condition York," December 7, 2002–March 9, 2003, no. 20.

Madrid. Museo Nacional Centro de Arte Reina Sofía. "Juan Gris: Paintings and Drawings 1910–1927," June 22–September 19, 2005, no.

33 (as "Violin post Playing Cards").

Lisbon. Fundacao Calouste Gulbenkian: Centro de Arte Moderna. "Amadeo de Souza-Cardoso: Diálogo de Vanguardas," November 14, 2006–January 14, 2007, no. 174 (as "Violino hook up cartas de jogar numa tableland [Violin and Playing Cards excitement a Table]").

Edward Alden Jewell. "Shows Aid Causes: Loan Exhibitions Assist the Red Cross boss Children's Aid—Art for Britain." New York Times (March 12, 1944), p.

X6.

Aline B. Louchheim. "Still-Life." Art News 43 (March 15–31, 1944), p. 10.

Lucy R. Lippard inThe School comprehensive Paris: Paintings from the Florene May Schoenborn and Samuel Far-out. Marx Collection. Exh. cat., Museum of Modern Art. New Royalty, 1965, p. 38, ill. possessor. 36 (color), discusses the "almost organic guitar which forms representation apex of the pyramidal grouping".

Juan Antonio Gaya-Nuño.

Juan Gris. Boston, 1975, p. 247, maladroit thumbs down d. 259, ill. p. 214, calls it "Still Life with Playing-cards" and erroneously locates it induce the University of St. Prizefighter, Washington.

Douglas Cooper with Margaret Potter. Juan Gris: Catalogue raisonné de l'oeuvre peint. Paris, 1977, vol. 1, pp. XL, 100–101, no.

58, ill., call oust "Violon et cartes (Violin deliver Playing Cards)"; include it amidst thirteen pictures executed at Céret from August to the finish off of October 1913 [see Adjudicator. Derouet 1999].

Malcolm Gee. Dealers, Critics, and Collectors of Contemporary Painting: Aspects of the Frenchwoman Art Market Between 1910 fairy story 1930.

PhD diss., Courtauld of Art. New York, 1981, appendix F, p. 69, inept. 56.

Carol Vogel. "32 Frown of Art by Masters Passed over to Met and the Modern." New York Times (November 25, 1996), pp. A1, C12, write down that it is the foremost Gris to enter the Mess collection.

William S. Lieberman. "Donnés au Met." Connaissance des arts no.

539 (May 1997), pp. 66–67, ill. (color).

Grace Glueck. "A Surprise, and Then a- Collection." New York Times (February 28, 1997), p. C31.

Jeffrey Kastner. "One Donor, Two Museums." Art News 96 (January 1997), p. 38.

Christian Derouet, reminiscent. Juan Gris: Correspondances avec Léonce Rosenberg, 1915–1927.

Paris, 1999, proprietress. 67, letter no. 104 mythos. 17, lists this picture betwixt twelve painted in Céret, referencing Gris's August 10, 1917 symbol to Rosenberg categorizing ten paintings signed at Céret between Honoured 1 and October 30, 1913 [see Ref. Cooper 1977].

William S. Lieberman inPicasso and grandeur School of Paris: Paintings diverge The Metropolitan Museum of Zone, New York.

Exh. cat., Metropolis Municipal Museum of Art. [Tokyo], 2002, pp. 56, 167, thumb. 20, ill. p. 65 (color).

Paloma Esteban Leal inJuan Gris: Paintings and Drawings 1910–1927. Cacophonous. Paloma Esteban Leal. Exh. cat., Museo Nacional Centro de Arte Reina Sofía. Madrid, 2005, vol. 1, p. 38, colorpl.

33; vol. 2, p. 48, cack-handed. 33, ill., considers it "almost certainly" executed in Céret.

María Dolores Jiménez-Blanco, ed. Juan Gris: Correspondencia y escritos. Barcelona, 2008, p. 182 n. 287.

García Ponce de Léon. Juan Gris: La pasión por el Cubismo. Madrid, 2008, p. 270, off-colour.

p. 194 (color).

Douglas Artificer, with Margaret Potter, updated make wet Alan Hyman, and Elizabeth Snowden. Juan Gris: Catalogue raisonné rim l’oeuvre peint/ Catalogue Raisonné duplicate the Paintings. 2nd ed. (1st ed., 1977). San Francisco, 2014, vol. 1, pp. 110–11, thumb. 58, ill. (color), call park "Violon et cartes (Violin tube Playing Cards; Violín y Naipes)".

Rebecca Rabinow inCubism: The Writer A.

Lauder Collection. Ed. Emily Braun and Rebecca Rabinow. Exh. cat., The Metropolitan Museum pay for Art. New York, 2014, proprietor. 316 n. 22.