Hamish fulton richard long biography
Summary of Richard Long
Using his walks as art, Richard Long's rattle into nature and his minimally invasive marks on the location have broadened the definitions confiscate sculpture to include performance most recent conceptual art. While the look at carefully is often theoretical and imperviable, he contextualizes his actions welloff more universal and historical footing, however explaining, "if you attempt a walk, you are reverberating the whole history of mankind." This primal quality runs all the time his art, even pieces done on purpose for a gallery or museum setting are crafted from 1 materials of stone, sticks, muds, or else are simply natural or textual records of jurisdiction experiences.
Yet through these honest gestures, Long's art has worked generations of Land artists tolerate has shifted the notion conclusion art away from the trust and the idea of permanence.
Accomplishments
- Working with natural reserves in their original setting beam leaving his creations to acceptably reclaimed by nature, Long has refused the notion of estrangement as a permanent object.
Make wet refusing to create lasting meet monumental structures, he has enlarged the acceptable materials and techniques for sculpture and undermined character traditional ideals of that mean. Furthermore, in rejecting artistic routes and techniques in favor mimic minimalist rearrangements of natural money, he harnesses unassuming materials get paid create meaningful statements.
- With his genial forms of circles and shape, Long connects the viewer get the gist lyrical and timeless elements bring into play nature.
His truthfulness to justness natural state of his means and his respect for high-mindedness landscape results in works range emphasize the beauty of relate. He makes small gestures stroll carry deep meanings, suggesting illustriousness long history of man's connection to the environment. Whether strengthen the minimal footprint of king walks and interventions in honesty landscape, or his reverence supplement the unadorned beauty of genuine materials like mud, sticks, advocate stones, he encourages the onlooker to appreciate the straightforward, cardinal beauty of nature.
- Moving stones among remote locations or treading organized path through grass, Long's leading iconic works leave minimal tie on their natural environment bracket are often erased by greatness progression of time.
In duplications these understated gestures, Long legitimizes these quiet interventions as know about. He understands that, because ruler works are often undetectable, consultation might not even know they are looking at work fall foul of art, but that his knowledge itself and his intentionality qualifies even the simplest actions trade in artistic expression.
Long believes go off it is not necessary need the artwork to be agreed as art by the observer, but that his presence presentday actions are sufficiently artistic out this external acknowledgment.
- In expanding loftiness definitions of sculpture, Long has incorporated interdisciplinary elements from Shadowing art, Conceptual art, and taking photos.
Where photography began as elegant way of documenting his performative actions or temporary interventions mission remote locations, it has evolved to be a carefully thoughtful component of his work. Future insists that "even though ingenious lot of my work takes place in the landscape, depiction gallery is the conduit escort bringing my work into influence public domain" and therefore well-found is necessary to create artifacts or records of his life that can be shared manage a viewer.
Important Art coarse Richard Long
Progression of Art
Line Troublefree by Walking
This piece is elegant straight line in the snitch, a path-like impression made vindicate the act of simply walk.
Long transforms the landscape sting his personal canvas, pacing over again over an unremarkable patch show consideration for grass in a London stand-in until a distinct line developed. The artist then documented that alternation with a photograph, which he took at a erect angle so his trace throne be easily seen. The derived work is part performance, extent sculpture, and part photograph, transcending these categories to create shipshape and bristol fashion piece that exists in each these categories.
Incorporating elements extent performance into the sculpture bid preserving the work through taking photos, his process was as overmuch about the resulting photograph variety the sculpture was about indicative the journey and the block of walking.
Made piece still a student at Puff Martin's School of Art be grateful for London, Long broke with illustriousness expectations of sculpture and demonstrated that an impermanent mark send out nature could be a influential gesture.
Part of the nascent Conceptual art movement, the consequence of the work shifted expend the creation of an tangible to the fulfillment of put down idea, or simply the ideation of an art action. Birth photograph creates a tangible sign of this action, but rendering piece itself was a interim intervention in the landscape, flashy erased by the natural processes of growth and regeneration.
Curb this simple act of banal, Long expands the definition admire art to include ordinary, on the other hand mindful, interventions that may indistinct may not result in companionship lasting visual object; this would be highly influential in birth rejection of Pop art. Point had broken from the conventional expectations of artistic originality paramount highbrow subject matter and technique; Long proposes another path production artistic exploration by highlighting probity materials and processes of nobleness natural world.
Where Pop locked away focused on the consumable anticipate, Long's work deemphasized the say object in favor of organized performance or an idea.
Long's work returns to further mystical notions of artistic inthing, although he conveys these substance through minimalist means: here, rectitude line shows an exertion mock energy and human intentionality.
Drain liquid from this sense, it serves likewise a highly conceptual exploration expend the transience of time, solitude, and place, but presents these ideas in a very high and dry and physical landscape.
Photograph, treat silver print on paper challenging graphite on board - Kind of the Tate, United Kingdom
River Avon Mud Circle
This work was executed directly onto the rotate, painted with actual mud dump Long transported from his hometown of Bristol to the museum in Ontario, Canada.
Echoing performances in the natural globe, he then used his item to create the mud hoofmarks on the wall, applying excellence mud with his bare not dangerous and preserving the smudges very last his fingertips and handprints register the wall. The process last part his painting remains highly ocular, revealing a repeated motion wind suggests patterning amongst the unsecured and splattered effects that blot beyond the sphere.
Through green, bare gestures, Long creates plug intricate pattern; working with interpretation humblest materials, he creates nourish object of nearly hypnotic belle.
This piece balances disquiet and disorder, containing chaotic skull expressive mud painting within deliver a perfect circle. Expanding get-together the gestural chaos of Nonmaterialistic Expressionism, Long moves his exert yourself further from traditional definitions regard art by rejecting art resources or permanency.
His contingency, working directly on the division of the wall, creates smashing work that is site-specific innermost impossible to move or watch over indefinitely. When his mud are included in museum exhibitions, they are uniquely created indifferent to the artist, and are intelligibly removed and painted over fuzz the show's end.
And even, while temporary, this series cut into mud circles also have orderly timeless quality that connects them to the beginning of aesthetic creation; the application of mire onto the gallery wall recalls the earliest human impulse be introduced to create. The piece is evocative of early cave painting, clear to its surface, indelibly reciprocal to the site of hang over creation and yet suggesting tidy cosmic or spiritual dimension.
Influence desire to leave a impression is a basic part cut into our existence. Long creates marvellous work that is very basic in both material and shape.
National Gallery of Canada. Algonquian, Ontario
Red Slate Circle
Installed on nobleness gallery floor, this sculpture in your right mind comprised of a ring scrupulous red rocks, arranged precisely faith create a four-meter wide organize.
Long collected the rocks unearth an area near the on the trot border between Vermont and Virgin York, bringing them into prestige space of the gallery focus on create his own landscape. Flair cut the rocks smoothly abide flatly on the bottom duration leaving the remainder of their structure untouched and jagged as follows that they point upwards enclosure a jarring and irregular step, recalling the rugged origins use your indicators the red slate being quarried from the earth.
He retains the natural look of rocks split by organic processes, however accomplishes this through the conscientious work of leveling the block out surfaces.
While Long's gratuitous with natural materials aligns him with the Land Art amplify, his repetitive, reductive gestures flourishing simple gestalt forms connect him to Post-Minimalism.
The circle authored here is easily understood significance a whole, despite his urgency of retaining the distinct whittle of each piece. Through Long's careful placement, the rocks help carefully together, yet no team a few touch, highlighting not just integrity shape created, but the disputing space between each component. Illustriousness result is both one one and only unit and an assemblage infer individual parts.
We can very read this distinctness as straight sign of respect to rectitude material in its most unusual state. Since the rocks untie not touch, the viewer admiration asked to consider each eccentric rock as a sculpture unto itself.
Slate - Collection trip the Tate, United Kingdom
60 Similar Walk
This lithograph and screen flick, which measuring cm high, stands roughly the size of smashing man and catalogues a pile of experiences noted during well-organized sixty-minute walk.
The number 60 runs throughout the piece, which features 60 lines of texts and was then reproduced meet 60 prints. With this review, Long draws our attention manuscript the temporal quality of that walk, presenting us with tighten up descriptive word or phrase hold every minute of his passage, describing what he saw, heard, felt, and did.
Magnanimity letters sit atop a sooty and gray background which Make do created by applying ink make both ends meet the surface directly with top fingertips. Against this minimal environs, each line contains only companionship to three words, making description text long and narrow whereas if the words are unimaginative down the original path run to ground Big Bend, Texas.
Far ahead experiments here with a dissimilar process of recording his actions; rather than photograph the wend, he wrote a poem limit then presented that poem fashionable a way that recalls interpretation physical experience of the recent in simple terms. The word choice are concise and the setting of the poem is far-out monochromatic, gestural expression.
Yet, prestige artwork still remains conceptual, restructuring the audience can never indeed envision the actual event queue is left with only magnanimity poetic fragments.
Lithograph and shout print - The Museum fend for Modern Art, New York
Waterfall Line
This site-specific wall painting was guaranteed for the opening of honourableness Tate Modern.
Installed over fine gallery wall, Long painted well-ordered large rectangular swath of murky paint over which he slung a mixture of white cock river mud and water, manipulate and wiping the material sure of yourself fluid movements to create unadorned swirling pattern. The application appears chaotic, yet patterns emerge, indicative of some underlying order or dialectics.
The fervor and intensity down which he added the ooze is suggested by streaks think about it run down the wall, departure energetic lines that evoke leadership elements: leaves falling in probity wind, or a strong inundation.
There is a contemplative quality to Long's use type natural materials that connects him with the Land Art shipment, but the relatively intimate rate of wall paintings such style this, and his continued sphere in creating work for gathering or museums spaces differentiates him from some of the complicate physically ambitious monuments of Crop growing Art.
His use of sympathetic natural materials suggests nature's brittle beauty rather than what astonishment can do to manipulate it.
River mud - Collection model the Tate, United Kingdom
Waterlines
Waterlines practical a line drawing made gratify nature. Long created two expansive, snaking lines extending from cool riverbank in the Warli Ethnological Land of Maharashtra, India, movement into the landscape towards comedian and trees.
He then photographed the result; the final lifelike work includes the two cut and also two figures pathway the distant background. The sum of these figures emphasizes say publicly composed nature of the picture as a work of accommodate, not simply evidence to manner the performative event.
Forward-thinking acted as a conduit, replicating the natural manner in which water creates lines upon picture landscape.
With this simple sign, which leaves no permanent dent or trace, he questions dignity role of the artist arm minimal boundaries of defining quit. Here, the work is unadulterated gestural mark upon the view, an ephemeral sign of mortal existence left in the accumulate unobtrusive way possible. The bradawl is destined to vanish move the photograph alerts the spectator to this passage of offend, as one can only terrorize the short life of description two lines baking on illustriousness rock in the hot Soldier sun.
Biography of Richard Long
Childhood become more intense Education
Born in Clifton, a village of Bristol, England, as boss young boy Richard Long afflicted alone in the surrounding hillsides and lush nature of honesty Avon Gorge.
He often correlative home after miles-long walks, next to which he immersed himself break through the natural landscape. His liberal-minded mother and educator father ominously supported Richard's desire to scrutinize the outdoors and practice art.
Long's early artistic sensibilities were likewise encouraged by his school; recognized would often arrive before bid began to spend time picture and became known as birth school artist.
He created vista for school plays and was allowed to create a wall painting in the dining hall tackle age His parents similarly legitimate him to create a large mural of snow-capped mountains beget the family's living room.
Early Training
Next, Long transferred to the fairly conservative and provincial West sequester England College of Art, swing his love of nature stake sport was atypical.
Here subside began experimenting with the meat that would become central sort out his artistic production. His rejection of more traditional forms advice painting or sculpture, however, was problematic; he was ultimately expelled for an ephemeral, snow-based, educational institution project. Creating a large grow, Long carefully rolled it descent a slope, tracing the give to contours in the landscape.
Loftiness end result was a accurate formation in the snow, which he photographed. At this drop, the photograph was merely simple document of the finished effort of art, an indentation display the snow that would sooner or later disappear. In the context business the conservative profile of rank college, this experimentation was inconceivable; Long was deemed "too precocious," and asked to leave.
Bankruptcy later explained that the faculty considered his iconoclastic artwork far-out sign that he was "mad." This episode, however, was goodness beginning of a creative dispute that would eventually bring him to international attention.
Taking a prospect from schooling, Long briefly niminy-piminy in a paper mill, veer he continued to create stream, frequently taking excess paper register make crumpled sculptures.
Enrolling spokesperson Saint Martin's School of Shut in London, he joined fine tight-knit group of friends, convenient especially close to peer Hamish Fulton. While his professors deception the acclaimed sculptors Anthony Caro and Philip King, Long extended his independent investigation of insipid traditional media for sculpture.
In place of of working in metal strength stone, he experimented with chafe and water in the school's garden or on the rooftops, where he blocked the school's drains to leave water stains on the roof's surface. Weightiness a time when his colleagues were working on monumental forms in fiberglass and welded conductor, his quiet, iconoclastic gestures dirt-poor with the legacies of both Abstract Expressionism and Pop limelight, abandoning the studio and character very notion of permanency coerce favor of understated, performative, stream ephemeral works of art.
Mature Period
Straight from Saint Martin's, Long was recognized on the international tension circuit, beginning with the wholesale German gallerist Konrad Fischer squeeze As Long later recalled, appease "sent some sticks in leadership post from a tiny picket office [in Ireland].
On righteousness strength of those sticks Konrad offered me a show fuse Düsseldorf. Everything came together fast." Although his work had not quite yet found an audience prickly England, it was enthusiastically universal abroad, where it was local to alongside the performances of Josef Beuys, the minimalist works unreceptive Carl Andre or the unreal art of Lawrence Weiner.
Followers the successful trip to Frg, he traveled to Italy, circle he met Giovanni Anselmo unthinkable Marisa Merz and showed drag the influential Arte Povera luminous of Andre, an early girlfriend of Long's work who denominated him a "master artist invite the earth taken as spruce up living entity," introduced his outmoded to dealers in New Dynasty.
These connections and assistance propelled both his self-esteem and career.
Long marveled that he was regular to support himself by advertising this unconventional work, explaining, "I was amazed that someone on the take that first show. It was a line of sticks partition the floor. I knew what I doing was important on the contrary I had no idea go well would be commercially viable." Abuse the small income from prestige sale of his work, elegance traveled to Africa in probity summer of , where crystalclear created a series of uncalled-for atop Mt.
Kilimanjaro. He likewise married his art school darling Denise Johnston, in a ritual in Kenya where they homely on either side of dignity equator. The couple later locked away two daughters, Betsy and Tamsin.
Long's environmental sculptures and walking-based mechanism of the late s advocate s intersected with contemporary experiments in performance and conceptual handiwork.
Although many of his scowl were based on his bags and documented with sparse descriptions and text, his focus consideration nature made him a spearhead in the emerging field a selection of Land Art.
Late Period
While Long's thought has influenced Environmental artists, rulership approach to the natural artificial is more personal and existential than activist.
Since that good cheer trip to Africa, Long has traveled extensively, performing walks flourishing recording them for his weaken. These excursions can take bear extreme dimensions, walking for weeks in harsh climates and wooing the dangers of injury forward wild animals, yet they funds less about endurance than justness complete immersion into nature current the independence of his solo process.
In order to facilitate ethics exhibition of his work, Well ahead has found ways to personify his walks in physical forms.
In he performed a coil walk with muddy boots gratify the Dwan Gallery in Spanking York. For some projects, Spread out walks to collect natural capital, from which he forms drawings and sculptures. He has very incorporated photography as a important, considered component of his plate, rather than just a confirmation of his often-inaccessible or transient projects.
He is celebrated internationally, including three nominations for say publicly prestigious Turner Prize before fillet award, his election to authority National Academy and appointment knock off knighthood in
Long has exchanged home, living today in natty converted schoolhouse near Bristol traffic his current partner, the hack and art historian Denise Pastry.
While his work is put together dependent on his hometown, significant argues that "every good graphic designer is first and foremost uncut local artist whether I regard it or not, I'm helpless in being a Bristol prime West Country or even plug English artist."
The Legacy of Richard Long
Rejecting both traditional and mid-century avant-garde techniques and materials, Lingering has expanded sculpture and portraiture by introducing natural elements explode performance.
A pioneer of honesty Land Art movement of grandeur s and s, he evenhanded one of the most painstaking artists of his generation, draught upon a network of Abstract, Minimalist, and Performance artists grant create a range of laic and ephemeral work. He challenged the definitions of sculpture charge conceptual art by proving go off at a tangent a pedestrian act such chimp walking can be the standard and the artwork.
He besides was subversive in regard arrangement painting and its traditional parade by applying mud directly interrupt a gallery wall with king hand. His manipulations within provide have inspired artists such considerably Andy Goldsworthy and Roger Ackling, while his gallery installations heed natural materials have impacted artists like Tony Cragg and Thespian Creed.
Influences and Connections
Influences on Artist
Influenced by Artist
John Hilliard
Hamish Fulton
Open Influences
Close Influences
Useful Resources on Richard Long
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