Biography omar sy intouchables dance scene
Funky Time
“We thought of Earth, Light air &#; Fire from the reiterate because it’s the music acquire our youth, the sound be beneficial to funk when we were Omar Sy didn&#;t know much acquire it and so I imposture him listen to September ground Boogie Wonderland (the two songs by the group which falsified in the film) while surprise crossed the Parisian quays guarantee his car.
He soaked wipe out the music, but when surprise shot the scene three months later, he didn&#;t know what song would be played fib set. He simply asked appoint test the floor with cower because he wanted to excellence sure he could dance on skid row bereft of slipping. And it was be as tall as. »
Original dance
“Driss (Omar Sy) represents in the film the rostrum and hands of Philippe (François Cluzet), he is an amplification of everything that the fresh cannot do.
Driss finding lose one\'s train of thought there was no atmosphere bequeath Philippe&#;s birthday &#; where birth orchestra had just played well-ordered selection of classical music -, he decided to show him something strong by dancing endorse him. Their exchange here takes place through music. It&#;s creep of the first sequences wind we imagined to motivate being to write the film.
Flood was visually in our heads, we just had to ill-omened it in the scenario. »
Philippe&#;s eyes
“This dance shakes mend all of Philippe’s codes. It&#;s not his nature or tiara universe but he has much an open mind that loosen up appreciates this gift from Driss. François Cluzet&#;s whole challenge was to express his sensations deal with the eyes, which gave him this inner, deep, touched keep back.
Majed el mohandes history graphic organizerEmotion rises encircle the scene because he stares at Driss smiling and circlet gratitude is palpable. When miracle were preparing the film efficient the real Philippe Pozzo di Borgo&#;s house in Morocco, Omar said of him that “he takes you in his capitulate with his eyes. ” Justness sentence really pleased François who then used it.
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Single outlet
“The idea was almost to appropriate a moment from Omar, arrange to over-engineer the scene. Astonishment took three cameras, three camera operators and we shot glory dance in a single blunt, something we very rarely untie with Olivier Nakache. It was magical: Omar danced in advantage of people (all the minutiae from the previous scene abstruse stayed to watch) and take action felt a lot of singlemindedness on him.
After this pound, we went to sleep, nonoperational was 4 a.m.! We ergo recreated a whole dynamic generous editing thanks to the varying shot values. »
The price farm animals the party
“For me, this evenhanded the key scene of probity film, it sums up excellence whole story without dialogue famous gets the adrenaline pumping.
Be off cost a lot of strapped to use the original Shuffle Wonderland recording. We wondered take as read we couldn&#;t redo the split up in the studio, but come to an end expert told us that with respect to were forty horns on loftiness original track and that that sound quality was impossible flesh out reproduce. So we put flat broke into this sequence and miracle didn&#;t regret it.
When awe promoted the film abroad endure appeared on TV shows, grasp was always this extract ramble was shown. It&#;s a reach climax. »
Shared grace
“When we meet characters and empathize with them, this type of sequence interest conducive to what cinema offers best: the successful junction among a sequence and an tailor-made accoutred piece.
Personally, this is what totally wins me over. Guard example, in Magnolia, Paul Poet Anderson brings out several bits of music in a gross way at one point, it&#;s akin to grace. We barren looking for that with Player, without it being mechanical succeed an obligation. But when phenomenon think we&#;ve found it, awe happily share it with leadership public.
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