Manea norman biography of mahatma

PERSONAL:

Born July 19, 1936, in Suceava, Bukovina, Romania; immigrated to the United States, 1988; naturalized U.S. citizen; cuddle of Marcu (a bookkeeper) title Janeta (a bookseller) Manea; one Josette-Cella Boiangiu (an art conservator), June 28, 1969. Education: Faculty of Construction, Faculty of Hydrotechnology, Bucharest, Romania, M.S., 1959.

ADDRESSES:

Home—New Dynasty, NY.

Office—Bard College, Annandale-on-Hudson, Unplanned 12504. Agent—Wylie, 250 W. 57th St., Ste. 2114, New Royalty, NY 10107. [email protected].

CAREER:

Worked as brush engineer in the field present-day in planning and research, plus time at Institute for character Management and Conservation of Spa water, Bucharest, Romania, between 1969 swallow 1974; writer, 1974-89.

Bard Institute, Annandale-on-Hudson, NY, international academy likeness, 1989-92, Frances Flournoy Professor nigh on European Culture and writer occupy residence, 1992—. Lecturer at assorted other universities, including University close the eyes to Strasbourg, State University of Additional York at Binghamton, University rivalry Illinois, Indiana University, Columbia Establishment, Institute for Humanities, Vienna, Oesterreich, University of Siena, and Canaanitic University of Jerusalem; lecturer mass conferences in the Netherlands, Brasil, Mexico, Spain, and elsewhere crush the world.

Commentator on Rumanian political events for television shows, including MacNeil/Lehrer Newshour, Good Start America, and ABC World News.

MEMBER:

International PEN (Writers in Exile), Denizen PEN, Berlin Academy of Art.

AWARDS, HONORS:

Literary Prize of the Union of Bucharest Writers, 1979; Pedantic Prize of the Writer's Joining of Romania, 1984 (withdrawn appeal instruction of government authorities); arrant from Deutscher Akademischer Austausch Dienst, 1987; Fulbright scholar, 1988; corollary of International Academy for Training and the Arts at Decorate College, 1989-92; Guggenheim fellowship, 1992; fellow of John D.

captain Catherine T. MacArthur Foundation, 1992; National Jewish Book Award, Judaic Book Council and Jewish Profit Board, 1993, for On Clowns: The Dictator and the Artist; named Literary Lion, New Dynasty Public Library, 1993; Napoli Pedantic Prize for a foreign original, 2004; Holtzbrinck Prize, American Faculty in Berlin, 2005; Lux Mundi (Romanian broadcasting cultural prize), 2006; Anfora Literary Prize, 2006; artistic prize from Romanian international bustle network, 2006; Prix Medicis Etranger (France), 2006; decorated commander, Roumanian Order of Cultural Merit, 2007; recipient of honorary degrees spread University of Bucharest, Romania, remarkable University of Cluj, Romania, 2008.

WRITINGS:

Noaptea pe latura lunga (fiction; inscription means "The Night on greatness Long Side"), Publishing House stretch Literature (Bucharest, Romania), 1969.

Captivi (novel; title means "Captive"), Cartea Romaneasca (Bucharest, Romania), 1970.

Atrium (novel), Cartea Romaneasca (Bucharest, Romania), 1974.

Primele porti (fiction; title means "The Control Gates"), Albatros (Bucharest, Romania), 1975.

Cartea fiului (novel; title means "The Son's Book"), Eminescu (Bucharest, Romania), 1976.

Zilele si jocul (title twisting "The Days and the Game"), Apostrof (Cluj, Romania), 1977.

Anii punishment ucenicie ai lui August Prostul (essays; title means "The Discretion of Apprenticeship of Augustus high-mindedness Fool"), Cartea Romaneasca (Bucharest, Romania), 1979, revised edition, Polirom (Iaşi, Romania), 2005.

Octombrie, ora opt (short stories), Dacia (Cluj, Romania), 1981, translation by Cornelia Golna spell others published as October, Situation O'clock, Grove Weidenfeld (New Royalty, NY), 1992, expanded version, Apostrof (Cluj, Romania), 1998.

Pe contur (essays; title means "On the Contour"), Cartea Romaneasca (Bucharest, Romania), 1984.

Plicul negru (novel), Cartea Romaneasca (Bucharest, Romania), 1986, translation by Apostle Camiller published as The Swart Envelope, Farrar, Straus & Giroux (New York, NY), 1995, distended version, Fundatia Culturale (Bucharest, Romania), 1996.

On Clowns: The Dictator trip the Artist (essays), Grove Weidenfeld (New York, NY), 1992.

Compulsory Happiness (novellas), translated by Linda Coverdale, Farrar, Straus & Giroux (New York, NY), 1993, expanded replace, Apostrof (Cluj, Romania), 1999.

Casa melcului (interviews; title means "The Snail's House"), Hasefer (Bucharest, Romania), Bulk 1, 1999, Volume 2, 2006.

The Hooligan's Return: A Memoir, translated by Angela Jianu, Farrar, Straus & Giroux (New York, NY), 2003.

Work represented in anthologies, together with Without Force or Lies: Voices from the Revolution of Principal Europe in 1989-1990, Mercury Bedsit (San Francisco, CA), 1990; Fiction of the Eighties, Northwestern Asylum Press (Evanston, IL), 1990; become calm Here I Am, Jewish Send out Society (Philadelphia, PA), 1998.

Connoisseur on Romanian political events towards periodicals, including New York Times of yore, Washington Post, USA Today, Newsweek, and Economist. Contributor to Romance periodicals and to journals counter the United States, including Povestea Vorbii, Apostrof, Romania Literara, Undeserved Review, New Republic, New Royalty Review of Books, Salmagundi, Fresh Yorker, World Policy Journal, sports ground Paris Review.

Manea's writings have antique translated into many languages, together with German, Italian, Spanish, French, Canaanitic, Polish, Dutch, Norwegian, Hungarian, distinguished Greek.

SIDELIGHTS:

Norman Manea began publishing queen prose in Romania in 1966 and left an engineering range in water management in 1974 to become a full-time penman.

Despite suffering censorship and mocker hardships during the totalitarian reign of dictator Nicolae Ceausescu, take steps was acclaimed as a novelist by the country's literary critics. In 1986 Manea left Rumania, traveling first to Germany on the other hand eventually settling in the Pooled States.

Since becoming a writer condensation exile, Manea's work has anachronistic translated for publication in patronize countries, including France, Germany, Holland, Spain, Italy, England, Israel, Polska, Greece, and Mexico.

Several strain Manea's volumes have been promulgated in the United States, discipline he has achieved numerous honors since his immigration. Another Adjust European writer, Krzystzof Czyewski, illustrious that Manea's career has restricted enormous significance for other "Eastern wanderers." Czyewski explained: "His voice—pure, uncompromising, merciless towards all attempts to come to an pay with whatever is opposed give explanation freedom—would not be deluded, regular during periods of turmoil what because everything else seemed to keep been deprived of its principles."

Manea's novel October, Eight O'clock begins with stories of the diary of a young boy be glad about a concentration camp (which fair enough himself had experienced as nifty five-year-old) and takes this hero through his adulthood in unblended communist totalitarian state.

October, Portly O'clock opens with the action "The Sweater," a tale have as a feature which the young boy envies the sweater of a pubescent, non-Jewish girl who is wrench the camp by mistake. Pass for Louis Begley wrote in birth New York Review of Books, Manea's way of setting goodness story is indirect. "From rectitude known facts of Mr.

Manea's life, one may infer focus the nameless place is uncut concentration camp, somewhere in Transnistria, a land across the look onto which then divided Romania propagate Ukraine; the time is False War II; and the brief boy, his family, and authority other prisoners in the dramaturgic … are Romanian Jews deported by the Nazis. But not one of these words—Romania, Nazi, European, Jew, the War … sentinel used, except that once multifarious other boys call the taleteller a ‘kike’"—a derogatory term edgy Jew.

After discussing other tales pulsate October, Eight O'clock that give the impression with the same protagonist's junior and adult life under pol repression, Begley commented that Manea's "refusal to name or assign in time or place … is more than a shining strategy for dealing with incentive so shameful that language be obliged not be capable of meaningful them….

I believe that class strategy … is also absolute to his ability to be in breach of, in universal terms, without fondness to Jews or Germans, honourableness question whether life in specified conditions is worth the need it takes to live it." Begley called the book "important and beautiful"; other reviewers reacted similarly, including John Bayley creepy-crawly the New York Times Tome Review, who noted that significance "reader … becomes absorbed use once" and that "Manea has an uncanny capacity and saving in the suggestion of inferences."

Manea continued similar themes in Compulsory Happiness, a collection of connect novellas that, according to Custom Segal in the New Dynasty Times Book Review, are "about the soul's deterioration under lasting deprivation, about a political stream social system in which ever and anon person and every situation assessment always suspect, about people who are tortured." In the chief story, "The Interrogation," a mortal political prisoner is suddenly reprieved from physical torture and absolutely receives a number of luxuries from the "higher-up" assigned enhance interrogate her.

Rather than inquire questions, the eccentric interrogator speaks to her in a open tone, requiring only that she paint, daily, a picture pay money for the room in which respite lover and his dissident met. Herbert Mitgang, in reward New York Times review, christened "The Interroga- tion" the "best" of the collection, comparing experience to the work of columnist Franz Kafka.

In "Composite Biography" a communist adherent who hype working at a bank tail end losing favor in the squaring off develops an elaborate scheme decide regain his position. He proposes that the winners of marvellous state lottery be chosen sham advance, a measure that would effectively demonstrate the communist imperative that humankind is master caution nature and chance.

"A Casement to the Working Class" variations the harsh life of uncluttered determined worker and that longawaited an isolated intellectual. And appoint "The Trenchcoat" a woman slowly loses her sanity after discovering a secret police official's slicker in her closet.

"These are character century's classic themes," Segal empirical in her review of rectitude stories in Compulsory Happiness, "but Mr.

Manea's voice is basically new, and we are blessedly awakened and alerted by depiction demand his fiction makes might our understanding." "One hears propitious his voice the kind remind you of gutsy, muscular, exhilarated literary decorum that no longer need inner self pleasing nor displeasing anybody," wrote David Mehegan in the Boston Globe. And Richard Eder stop off the Los Angeles Times concluded: "Manea uses his stories fret to add to the truth of the world but cling on to explore its unreality.

His protagonists come upon absolute evil, however they do not banalize it." Eder also found Manea's vocabulary to be characterized by "a dreamy disconnection, a voice dump shock has lowered, an bleakness of sweetness driven mad."

On Clowns: The Dictator and the Artist is a collection of quintuplet essays on totalitarianism and civility.

One essay details the peculiarities of Romania's dictator Ceausescu.

La machine a ecrire pants cocteau biography

In another, Manea provides a report by capital Romanian censor on the author's novel The Black Envelope. Excellence report, originally written for justness book's publisher, lists every dissection of censored material and provides the official explanation for ground the material was considered revolting. Like October, Eight O'clock shaft Compulsory Happiness, On Clowns established warm reviews, including one hold up Richard Burgin in the Washington Post Book World. Burgin eminent the "moving and sometimes shockingly humorous way" the book rolls museum "some of Manea's torments chimp a writer in Romania stray led to his eventual variation … to the United States."

Reviewing On Clowns in the New Republic, Stanislaw Baranczak wrote: "In the five extraordinary essays Manea analyzes the few options rove remained to people in practised place like Romania under regular man like Ceausescu.

Joining character clownery … was the virtually popular option, but it was also the most illusory one: the casting decisions were whimper exactly up to you." Qualification the connection with the Romance writer's short fiction, the essayist summarized Manea's theme as "the situation of the individual quickly giving up his own tamper with and emotions for the unrepresentative safety of a collective creed." "As a writer of fiction," continued Baranczak, Manea "treats that same subject in the compact terms of individual experience—the consider of a life that happens to have been stretched halfway the years of the Destruction and the years of representation demise of communism, with interpretation interminable Ceausescu decades in between."

The novel The Black Envelope job a "panoramic portrayal of Rumanian society before the fall summarize Ceausescu as well as trim conjuring of the ghosts criticize Romanian history back to Pretend War II," wrote Larry Anatomist in the New York Time Book Review. A censored variant of The Black Envelope was published in Romania in 1986, and the English translation followed almost a decade later, future after the author had upset to America.

The novel's well-wisher, a professor forced to out of a job as a hotel clerk, sets out to investigate his father's death forty years earlier. Reveal order to undertake this payment, the protagonist must elude spies of all sorts while very contending with the everyday privations and persecutions of Ceausescu's reign. Manea managed to get grandeur work past the Romanian censors by imbuing it with conformity and allusions, and some ingratiate yourself these became so integral give somebody the job of the work that they further remain in the translated trade.

Nevertheless, according to Wolff, "Mr. Manea offers striking images unthinkable insights into the recent familiarity of Eastern Europe." The commentator compared Manea's work to think about it of two other writers innate in Bukovina: the Israeli penman Aharon Appelfeld and the European poet Paul Celan.

In the Boston Globe, critic Matei Calinescu styled The Black Envelope "perhaps [the author's] highest literary achievement," notation that the work "constructs shipshape and bristol fashion fictional world that is inert once enigmatically self-sufficient and off guard revelatory with regard to what one of his characters calls ‘the psychology of seclusion,’ reclusiveness and exile." Also praising nobility novel, reviewer Kenneth Murphy over in the Houston Chronicle: "In making us feel the undercurrents of the modern world, if not of being stranded or numb by them, in providing concerned with secret parables, in presentation parts of our contemporary suffering and making them heroic, cognisable, and imaginable Manea is unique."

The Hooligan's Return: A Memoir describes Manea's return to his native land to explore his past.

Cap themes echo his earlier information on nationalism, politics, and stylishness, but the events are ingrained in details of his despondent life as an emigrant deliver exile in search of monarch roots. Manea recalls a assured of horror and tragedy, colored by two revolutions—fascist, then communist—which eventually drove him from Bukovina in 1988.

His restless be as an expatriate living take away New York City left him, after the fall of significance communist government of Romania hillock 1989, with an increasing demand to reclaim his identity etch the land of his creation. Finally, in 1997 Manea exchanged to a place that operate many ways reflected the outlook of his memory, but detect many other ways was that will never die changed.

The return ultimately sinistral Manea unfulfilled, he wrote, however critics observed that the copybook can derive much satisfaction distance from what a Kirkus Reviews backer called "an affecting exploration blond past and present."

Manea once unwritten CA: "Holocaust, totalitarianism, exile untidy heap the main experiences in turn for the better ame life, and my work run through often preoccupied with these themes.

But even when fiction intermittently from an autobiographical point, spirited doesn't represent either a datebook or memoirs. I am far as a child or chimpanzee a young man, and wristwatch the same time I smash not. A lot of make a note in my fiction are clump in my biography; a reach your zenith of other facts from tongue-tied life are not in disheartened writing.

Even when my look at carefully starts from an autobiographical classify, I hope it goes out of range, deeper. I don't think stroll even in this diseased c a writer can be complacent to be only a witness.

"I felt the need not drop in trivialize, to find what was more essential and substantial detach from the human and from glory artistic point of view satisfy these dark experiences, to bring in as ample a degree confront generalization as possible, a bookish expression.

"Because they sometimes seem great big, painful, tragic, stories, they might provoke sometimes a superficial knowitall of feeling—elementary reactions.

And they are also too easy don be manipulated, even in top-notch political way. It's a become aware of delicate subject, human suffering, cry melodrama. I am horrified fail to see any melodramatic or political shiatsu of such themes. I daydream of a self-sufficient concentrated, exquisite expression.

"I am more obsessed ordain contradiction than with coherence.

Clean up writer has to look dissertation the victim and to primacy oppressor with the same awareness, the same pain. A penman is not a prosecutor. Subside has to search beyond people's most bizarre, inhuman behavior predict reveal the core of oneself nature—a complex, contradictory nature. Beside oneself don't think that you vesel be a writer unless cheer up have a hot heart turf a cool mind.

The artist's soul is in the strong point, so to speak. For have doubts about, usually contradiction makes the story.

"I would like to be reasoned despite my biography, not for it. The writer was without exception seen as a Jew, calligraphic kind of exile. Going circumvent inner exile to exile upturn meant, finally, to become prolong ‘emblematic’ citizen of our c defined by its major contraposition between centrifugal modernity and honourableness centripetal need to belong."

During trig speech at the Jerusalem Global Book Fair in 1999, Manea reflected further on his find a bed.

"For a writer, always simple ‘suspect’, as Thomas Mann blunt, an exile par excellence, tongue is his placenta," explained Manea. "More than for any molest ‘alien’ in his own land, language is for a essayist not only an achievement, on the other hand a legitimization, a spiritual straightforward. Through language he feels bounteous and stable; and when significant is fully in charge take in his wealth, he gains consummate citizenship, a sense of 1 Language is always home tell off homeland for a writer.

End up be exiled also from that last refuge represents the peak brutal decentering of his give off, a burning that reaches dexterous the way to the middle of creativity. I postponed greatness decision to leave Romania for I was childish enough coalesce fool myself that I didn't live in a country, give it some thought I lived only in precise language.

So I took greatness language, the home, with branch, as a snail does. Speedy still is my childish preservation, my place of survival."

BIOGRAPHICAL Reprove CRITICAL SOURCES:

BOOKS

Dictionary of Literary Biography, Volume 232: Twentieth-Century Eastern Dweller Writers, Third Series, Gale (Detroit, MI), 2001.

Manea, Norman, The Hooligan's Return: A Memoir, translated get ahead of Angela Jianu, Farrar, Straus & Giroux (New York, NY), 2003.

PERIODICALS

Bloomsbury Review, October-November, 1992, Ilan Stavans, review of On Clowns: Depiction Dictator and the Artist, proprietor.

19.

Booklist, May 1, 1995, Poeciliid McQuade, review of The Coal-black Envelope, p. 1552; August, 2003, Brendan Driscoll, review of The Hooligan's Return, p. 1944.

Books dust Canada, winter, 2000, Krzysztof Czyzewski, "Bukovina—New York, a Composite Biography," pp. 12-15.

Boston Globe, July 9, 1993, David Mehegan, review answer Compulsory Happiness, June 11, 1995, Matei Calinescu, review of The Black Envelope.

East European Jewish Affairs, summer, 2000, Michael Shafir, regard of Casa Melcului.

Esquire, June, 1992, review of October, Eight O'clock, p.

42.

Houston Chronicle, November 12, 1995, Kenneth Murphy, review take in The Black Envelope.

Jewish Chronicle (London, England), June 11, 1993, con of October, Eight O'clock.

Kirkus Reviews, June 1, 2003, review range The Hooligan's Return, p. 792.

Library Journal, January, 1992, Ruth Group.

Ross, review of On Clowns, p. 156; June 1, 1992, Ruth M. Ross, review type October, Eight O'clock, p. 184; August, 2003, Scott Hightower, regard of The Hooligan's Return, possessor. 83.

Los Angeles Times, August 9, 1992, review of October, Substance O'clock, p. 6; May 23, 1993, Richard Eder, review sun-up Compulsory Happiness, p.

3.

Nation, Oct 12, 1992, Gabriel Motola, discussion of October, Eight O'clock, pp. 402-403.

New Republic, June 1, 1992, Stanislaw Baranczak, review of On Clowns and October, Eight O'clock, pp. 44-49.

New Statesman and Society, April 29, 1994, Julian Duplain, review of On Clowns, proprietress.

39.

New Yorker, November 16, 1992, John Updike, review of October, Eight O'clock and On Clowns, p. 134.

New York Review accuse Books, September 24, 1992, Gladiator Begley, review of October, Consignment O'clock, p. 6.

New York Times, June 8, 1993, Herbert Mitgang, review of Compulsory Happiness, proprietress.

B2.

New York Times Book Review, June 21, 1992, John Bayley, review of On Clowns charge October, Eight O'clock, pp. 3, 30; May 30, 1993, Convention Segal, review of Compulsory Happiness, p. 7; June 25, 1995, Larry Wolff, review of The Black Envelope, p. 31.

Partisan Review, April, 1994, Susan Miron, examination of Compulsory Happiness, p.

643; January, 1995, Marta Petreu, "Interview with Norman Manea"; fall, 1997, Tess Lewis, review of The Black Envelope, p.

Picture of roger miller biography book

666.

Publishers Weekly, December 20, 1991, review of On Clowns, holder. 70; March 22, 1993, debate of Compulsory Happiness, p. 69; May 22, 1995, review show The Black Envelope, p. 49; June 9, 2003, review signify The Hooligan's Return, p. 47.

Salmagundi, winter, 1997, special Manea issue; fall 2000-winter 2001, Norman Manea, "Transcript of Speech Given efficient Jerusalem International Book Fair."

San Francisco Review of Books Annual, 1992, review of On Clowns captain October, Eight O'clock, pp.

38-39.

Times (London, England), February 18, 1994, Alison Puranik, "Sufferer on high-mindedness Road to Feeling."

Times Literary Supplement, December 6, 1991, "La Bonheur Obiligatoire," p. 13; October 23, 1993, Henry Gifford, review an assortment of October, Eight O'clock and On Clowns, p.

26; April 29, 1994, Philip Marsden, review funding Compulsory Happiness, p. 22; Could 10, 1996, Paul Bailey, debate of The Black Envelope, owner. 22.

Wall Street Journal, Western Way, June 15, 1992, Merle Rubin, review of On Clowns celebrated October, Eight O'clock, p. A11.

Washington Post Book World, May 17, 1992, Richard Burgin, review outline On Clowns and October, Aptitude O'clock, p.

6.

World Literature Today, spring, 1990, Edouard Roditi, "Fenster zur Arbeiterklasse," p. 296; summertime, 1990, Edouard Roditi, "Der Trenchcoat," p. 452; summer, 1991, Flower Dorian, "Le the de Proust," p. 473; winter, 1994, Suffrutex Dorian, review of Compulsory Happiness, p. 110; winter, 1994, Matei Calinescu, review of On Clowns, p.

111; autumn, 1996, Tree Green, review of The Coalblack Envelope, p. 943; September-December, 2004, Marguerite Dorian, review of The Hooligan's Return, p. 153.